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THE FOREIGN DEAL

Crossover to pop & hip-hop

From 1991 the American majors came shopping in Kingston — Epic signed Shabba Ranks, Columbia took Mad Cobra, Super Cat, Ini Kamoze and Diana King. The traffic ran both ways, and the deals were not always fair: Bounty Killer went to court to be paid for a Grammy-winning record he co-wrote.

30 records · curated by the atlas editors

person · Well supportedShabba Ranks

Signed to Epic in 1991, the deal that opened the door. As Raw As Ever made him the first dancehall artist to win a Grammy, and he won again the next year — then lost his American standing after homophobic remarks on British television. The whole arc of the crossover, in one career.

recording · ProbableAs Raw As Ever — Shabba Ranks

The Epic debut that won Best Reggae Album in 1992 — the first time a dancehall record took it.

person · ProbableMad Cobra

Columbia's signing, and proof the Shabba deal was not a one-off.

recording · Well supported"Flex" — Mad Cobra

Lead single from his 1992 major-label debut Hard to Wet, Easy to Dry. One of the records that convinced American labels there was a market here to buy.

person · Well supportedSuper Cat

Columbia, 1992, and the deejay American rap treated as a peer rather than a curiosity — working with Heavy D, Puff Daddy and Biggie out of New York.

recording · Well supported"Dolly My Baby" — Super Cat

The clearest illustration of which way the influence was flowing: the Notorious B.I.G. made his recorded debut on a remix of this 1993 Super Cat single.

person · Well supportedPatra

Epic picked up her Hardcore sessions and built Queen of the Pack around her in 1993 — among the first albums by a Jamaican woman aimed at the American market from the start.

recording · ProbableQueen of the Pack — Patra

The 1993 Epic debut, overseen by label executive Vivian Scott-Chew.

person · Well supportedIni Kamoze

Columbia, 1994. The least likely pop star of the run, and the one who went to number one.

recording · Well supported"Here Comes the Hotstepper" — Ini Kamoze

A Jamaican deejay record at the top of the American chart in 1994, carried there by a film soundtrack.