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Randy's Record Mart

Well supported

The record shop Vincent "Randy" Chin and his wife Patricia opened in 1958, selling used jukebox 45s from a small shop on the corner of East Street and Tower Street in downtown Kingston and named after Randy's Records of Gallatin, Tennessee. It moved to North Parade around 1960 and in 1962 into a former ice-cream parlour at 16-17 North Parade, where it became one of Jamaica's leading retail outlets and, with the studio the Chins built above it, the commercial and creative centre of the North Parade record district. The Chins left for New York in 1977 and opened VP Records — Vincent and Patricia — in Queens; the 17 North Parade name survives as VP's reissue imprint.

At a glance

Confidence
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Connections

Media & sources

Videos

Welcome to 17 North Parade

YOUTUBE · rights discovery only · archive source

17 North Parade / Randy's channel feature; discovery-only embed.

Transcript pending ingestion.

Source link ↗

Clive Chin — The Lost Archives of 17 North Parade, Pt 1: From Kingston to Queens

YOUTUBE · rights discovery only · interview

Clive Chin archival interview on Randy's / 17 North Parade; discovery-only embed.

Transcript pending ingestion.

Source link ↗

Articles & sources

Open source ↗

VP Records — 17 North Parade history

WEB · rights discovery only · official history

Official VP source for Randy's/17 North Parade lineage.

Source link ↗
Open source ↗

ReggaeRecord — Randy's / 17 North Parade profile

WEB · rights discovery only · profile source

Dub Store/ReggaeRecord source for Randy's/17 North Parade history.

Source link ↗
Open source ↗

Studio 17: The Lost Reggae Tapes (2019 documentary)

WEB · rights discovery only · documentary

IMDb record for the BBC documentary on Randy's / Studio 17.

Source link ↗

In stories

Debate & reception

How people argued about the music — praise, criticism and public debate. See all debate & reception →

commentary

Record shops are historical evidence

Shops, sleeves, price stickers, catalogues and retail memories can document music circulation as strongly as conventional biographies when sources are preserved.

Stance: retail ephemera vs formal archive

debate

Who breaks a record — the shop counter or the radio?

Two documented views on where a Jamaican hit is really made, stated neutrally: one holds that counter sales and shop-front selectors were the true tastemakers who told producers and radio what mattered; the other credits radio DJs and station playlists as the gatekeepers that turned a local seller into a national hit. No verdict. Sources: Lloyd Bradley, Bass Culture; David Katz, Solid Foundation; Jamaica Gleaner archive.

Stance: shop-counter sales as the true tastemaker vs radio playlists as the gatekeeper