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Pull-up / wheel-and-come-again

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The rewind: when a crowd's response demands it, the selector hauls the record back to the start and plays it again — dancehall's most public form of criticism, delivered in seconds. "Pull up" and "wheel" are the calls; a tune pulled up twice is a verdict no chart can overrule. The practice travelled intact into jungle, garage and grime as the reload.

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