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Rude-boy moral panic

Well supported

The mid-1960s public alarm over rude-boy youth violence in Kingston, amplified in the press and pulpit, which cast unemployed ghetto youths as a criminal menace, a panic that Jamaican popular music both fed and argued with.

At a glance

Confidence
Well supported
Sources
Jamaica Gleaner archive; Norman Stolzoff, Wake the Town; Lloyd Bradley, Bass Culture.

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Connections

Media & sources

Articles & sources

Open source ↗

The Music Diaries | The rude boy culture of the 1960s

WEB · rights discovery only · press source

Jamaica Gleaner archive reference.

Source link ↗

In stories

Debate & reception

What people argued about this record — two documented positions each time, kept apart from verified fact. Browse every argument in the archive →

Debate

Should the music cool the rudies or speak for them?

One side

Music should counsel calm and respectability

The other

Music should speak for and to rude boys

Two documented stances taken within the studios themselves during the rude-boy era: that popular music should counsel calm and respectability, as in records urging youth to settle down, versus that it should speak for and to rude boys as members of the same community. Neutral framing; no verdict.

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Debate

The rude-boy scare: real crime wave or media panic?

One side

A real rise in youth violence

The other

A press-amplified moral panic scapegoating poor youth

Two documented framings of 1960s rude-boy violence: one treats it as a genuine rise in youth crime demanding a firm response, the other as a press-amplified moral panic that scapegoated poor young men. Neutral framing; no verdict.

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Compiled and researched by The Jamaica Music Atlas music desk. The sources that informed it are credited above.

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