ENTITY · CULTURAL PRACTICE
The money pull-up
Probable
A pull-up bought rather than earned: cash held up, waved or thrown at the selector to make him rewind a record, and increasingly to make him rewind it again.
The traditional [[pull-up-wheel-and-come-again|rewind]] is a verdict. The crowd's response is the currency, and the selector is reading a room. The money pull-up changes who is being read. A man with a stack settles the question on his own, and what the rewind now proves is that he could afford it — which is a different kind of status, and a considerably narrower one.
It did not come from nowhere. Money has been visible in the dance since the bling era, and the video light long ago made spending a performance in its own right; the money pull-up is what happens when that logic reaches the selector's hand. Defenders point out that it pays people who are rarely paid, and that a selector working a weekly for a small fee is entitled to it. The objection is not about the money but about the reading: once the rewind can be bought, it stops being evidence of anything except a wallet.
This record is built from community observation contributed to the archive rather than from a documented history, and is filed as probable on that basis.
At a glance
- Confidence
- Probable
- Sources
- Community recollection contributed to the archive; Donna P. Hope on money and bling as a dancehall theme.
Connections
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Compiled and researched by The Jamaica Music Atlas music desk. The sources that informed it are credited above.
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