ENTITY · PERSON (ARTIST, SELECTOR, PRODUCER…)
Anthony Miller
Well supported
The presenter of Entertainment Report on TVJ, the programme that has covered Jamaican music on national television since 1990. His interviews and the show's archive amount to one of the most complete visual records of dancehall's last three decades.
At a glance
- Confidence
- Well supported
Coverage areas
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Connections
Media & sources
Footage
Debate & reception
What people argued about this record — two documented positions each time, kept apart from verified fact. Browse every argument in the archive →
Access journalism in dancehall TV: essential star access, or a stage managed by the artist's own team?
One side
Trusted access that invites candour
The other
A promotional platform that discourages hard questions
Entertainment Report and OnStage TV built their identity on sit-down interviews with major dancehall and reggae figures, access that smaller or more adversarial outlets rarely get. Defenders of the format say these long-running relationships are what make artists comfortable enough to speak candidly on camera at all; critics of entertainment television more broadly argue that access built over years can blur into a promotional platform where hard questions go unasked to preserve the relationship. Neutral framing; no verdict.
Read the argument →Who breaks the story now: appointment entertainment TV or the artist's own Instagram Live?
One side
Artists controlling their own real-time narrative
The other
Losing the editorial framing broadcast journalism once provided
For years, TVJ's Entertainment Report and OnStage TV set the daily agenda for Jamaican entertainment news, breaking interviews and reactions that other outlets then followed. Artists posting directly to Instagram, TikTok and IG Live have since given entertainers a way to announce, respond to and dispute stories without waiting on a studio booking. Some see this as healthy - artists controlling their own narrative in real time; others argue it removes a layer of editorial framing and follow-up questioning that broadcast entertainment journalism once provided. Neutral framing; no verdict.
Read the argument →Share this record
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