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Hezron

Well supported

Singer and songwriter who took the long way into reggae, by way of a decade singing R&B in the United States. Born Hezron Clarke in True Gully, a village between Moy Hall and Tower Hill in St James, he grew up in a family yard where money was short and food got shared across households, and in a family where his grandfather, his mother, an uncle and his brothers all sang.

He was in the church choir at about seven and writing poetry at the same age, pulled toward dancehall as he got older, and had an uncle whose Mutabaruka records were part of the furniture. He left Jamaica young, spent a short time in Texas and then seven years in Miami, started a pre-law degree and abandoned it when music and family pressure made the choice for him.

In the United States he sang R&B, listening to Usher and Sisqo, and passed through deals with Chatterbox and Danger Zone and dealings with Def Jam and Warner without a breakthrough. He went home instead, and reggae is where his voice finally landed. "So In Love" is the single reported to have established him at home. Since then he has recorded for Tad's Record, releasing The Life I Live in 2014 and M.

O.A.M. (Man on a Mission) in August 2022, the second cut in Kingston with a band of first-call players including Dean Fraser on saxophone and Robbie Lyn on keyboards. The Recording Academy filmed him for its Press Play series in January 2023, singing the title track with an acoustic guitar.

At a glance

Confidence
Well supported
Sources
United Reggae, "Interview: Hezron" by Angus Taylor, 9 June 2014, for birthplace, upbringing, church choir, the US years and the R&B deals; Shore Fire Media announcement for the M.O.A.M. release date, label and session personnel; GRAMMY.com Press Play, Carena Liptak, 5 January 2023; Reggaeville standing artist biography, read August 2026, for the "So In Love" placements. No reliable birth date located; the Reggaeville biography gives none either.

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Connections

Media & sources

Footage

Hezron — "Holding On" Music Video Launch: Words with Jamaica Music Atlas

YOUTUBE · rights licensed · interview

Interview produced by Jamaica Music Atlas.

Source link ↗

Hezron - M.O.A.M (Man On A Mission) Official Video

YOUTUBE · rights discovery only · performs

Official upload on the label's own channel, Tads Record (@tadsrecord8478); embedded as reference.

Source link ↗

Hezron - Tik Tok I'm Coming (LIVE PERFORMANCE)

YOUTUBE · rights discovery only · performs

Live performance of the M.O.A.M. single, on the label's own Tads Record channel; embedded as reference.

Source link ↗

Hezron - Holding On

YOUTUBE · rights discovery only · performs

External reference; verify rights before wider use.

Source link ↗

Articles & sources

Open source ↗

GRAMMY.com - Press Play: Hezron Clarke Chases Down His Dreams With An Inspiring Performance Of "Man On A Mission"

WEB · rights discovery only · documents

Recording Academy editorial video feature by Carena Liptak, 5 January 2023. Press Play is an editorial series and is not an award or a nomination.

Source link ↗
Open source ↗

United Reggae - Interview: Hezron

WEB · rights discovery only · documents

Interview by Angus Taylor, 9 June 2014. The first-person source for birthplace, upbringing, the church choir and the American years.

Source link ↗
Open source ↗

Shore Fire Media - Rising Reggae Artist Hezron Clarke To Release New Album "M.O.A.M. (Man on a Mission)" Out August 19th Via Tad's Record

WEB · rights discovery only · documents

Label publicity, and therefore an interested party; used only for the release date, the label and the session personnel, which it states plainly.

Source link ↗
Open source ↗

Daily Reggae - Album Review: "M.O.A.M (Man On a Mission)" by Hezron

WEB · rights discovery only · documents

Independent album review, useful as reception rather than as biography.

Source link ↗
Open source ↗

Reggaeville - Biography: Hezron

WEB · rights discovery only · documents

Standing artist profile on a major reggae outlet. Returned HTTP 403 to automated retrieval at the time of writing, so it is recorded as a reference and not used as a source for any claim above.

Source link ↗

In stories

Debate & reception

What people argued about this record — two documented positions each time, kept apart from verified fact. Browse every argument in the archive →

Debate

Reggae with an R&B ear: widening the audience or diluting the form?

One side

Widening reggae's international audience

The other

Diluting the form toward R&B

A recurring argument around Hezron's M.O.A.M., and around the wider run of reggae albums pitched at an international market. One reading welcomes the soul and blues colouring, the live band and the radio-facing production as the thing that carries reggae to listeners who would not otherwise arrive, a case the singer makes himself when he describes the album as a mission to restore the music to prominence. The other holds that smoothing reggae toward R&B trades away the roots character that gives it its identity in the first place. Stated neutrally; no verdict.

Read the argument →

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Compiled and researched by The Jamaica Music Atlas music desk. The sources that informed it are credited above.

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