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ENTITY · PERSON (ARTIST, SELECTOR, PRODUCER…)

Jackie Mittoo

Well supported

Jackie Mittoo (born Donat Roy Mittoo, 1948-1990) was a Jamaican keyboardist, composer and arranger who served as musical director and house-band leader at Coxsone Dodd's Studio One, where he played on and arranged a vast body of ska, rocksteady and early reggae recordings. A founding member of the Skatalites in 1964, he composed enduring organ-driven instrumentals and riddims such as "Darker Shade of Black" and helped shape Studio One classics like the Cables' "Baby Why."

He emigrated to Toronto in the late 1960s, remaining active in Canada and briefly rejoining the Skatalites before his death from cancer in 1990.

At a glance

Confidence
Well supported
Sources
Wikipedia; AllMusic.

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Connections

Media & sources

Footage

Jackie Mittoo - Hot Milk (Hot Milk Riddim) [HD]

YOUTUBE · rights discovery only · archive source

Youtube upload; embedded as a discovery-only reference pending editorial review.

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Recordings

Jackie Mittoo - Drum Song | Official Audio

YOUTUBE · rights discovery only · performs

Official youtube upload (channel: Jackie Mittoo); embedded as a discovery-only reference pending editorial review.

Source link ↗

Articles & sources

Open source ↗

MusicBrainz — Jackie Mittoo search

WEB · rights discovery only · musicbrainz source

MusicBrainz discovery source for Jackie Mittoo credits.

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Open source ↗

Discogs — Jackie Mittoo

WEB · rights discovery only · discogs source

Discogs source for Jackie Mittoo credits/release trails.

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In stories

Debate & reception

What people argued about this record — two documented positions each time, kept apart from verified fact. Browse every argument in the archive →

Debate

Who authors a riddim? Bass, keys and the credit for the version

One side

Session musicians as uncredited authors

The other

Producers and labels as rights-holders

A long-running, documented industry debate framed from both sides. One position holds that the session musicians who wrote the foundation basslines and keyboard figures - the players behind rhythms like Real Rock and Full Up - are the uncredited authors of the version tradition. The other holds that authorship and rights sit properly with the producers and labels who commissioned, owned and marketed the masters. Neutral; a matter of public discussion, not a claim against any person.

Read the argument →

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Compiled and researched by The Jamaica Music Atlas music desk. The sources that informed it are credited above.

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