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Justin Hinds

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Justin Hinds (7 May 1942 - 16 March 2005) was a Jamaican ska and roots reggae vocalist who led the harmony trio the Dominoes. His signature record "Carry Go Bring Come," cut for Duke Reid's Treasure Isle label around 1963, became a Jamaican number one, and he recorded scores of moralistic, proverb-rich singles for Reid during the ska and rocksteady eras.

At a glance

Confidence
Probable
Sources
Wikipedia; Discogs.

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Media & sources

Recordings

Justin Hinds & The Dominoes 'Carry Go Bring Come' (official audio)

YOUTUBE · rights discovery only · features

Official youtube upload (channel: n/a); embedded as a discovery-only reference pending editorial review.

Source link ↗

Justin Hinds & The Dominoes — Carry Go Bring Come (ska version)

YOUTUBE · rights discovery only · features

YouTube upload; surfaced via web search result and embedded as a discovery-only external reference pending editorial review.

Source link ↗

In stories

Debate & reception

What people argued about this record — two documented positions each time, kept apart from verified fact. Browse every argument in the archive →

Debate

The rude boy: did ska and rocksteady glamorize the gunman?

One side

Music as social commentary on poverty and injustice

The other

Music as glorification of criminal violence

Across the ska and rocksteady years, records split sharply over the 'rude boy' figure of the armed Kingston youth. One camp of songs condemned or pleaded with the rudies to stand down (Alton Ellis's 'Cry Tough'/'Dance Crasher', Justin Hinds's 'No Good Rudie', Derrick Morgan's 'Cool Off Rudies'); others celebrated the outlaw style (Desmond Dekker's '007 Shanty Town', Prince Buster's Al Capone persona). Critics and moralists charged that the music romanticized violence, while defenders — and producers like Lee 'Scratch' Perry, who answered Buster's authoritarian 'Judge Dread' — argued the songs documented and even justified youth pushed into crime by a rigged system. The Wailers' 'Simmer Down' is often read as doing both at once: urging restraint while celebrating the toughs. Grounded in Heather Augustyn's skabook 'Real Rude Boys' foundation-ska writing.

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Compiled and researched by The Jamaica Music Atlas music desk. The sources that informed it are credited above.

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