ENTITY · PERSON
Wayne Smith
Well supported
The singer of "Under Mi Sleng Teng" (1985), the King Jammy production whose Casio-driven rhythm is the conventional starting gun for digital dancehall. Smith (1965-2014) recorded plenty besides, but the record that changed the music's economics — no session band required — is the one history keeps him for.
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debate
Sleng Teng: digital revival or the ruin of live reggae
Wayne Smith's 1985 'Under Mi Sleng Teng', built by King Jammy and Noel Davey around a Casio MT-40 preset, is widely credited as the first fully digital dancehall riddim. Purists and some session players held that the drum-machine sound cheapened reggae and displaced the live rhythm bands (the Roots Radics and Sly & Robbie's circle) who had defined the music, while champions argued it democratized production — a youth with a keyboard could now cut a hit without costly studio time — and that it launched the most-versioned riddim in Jamaican history. Later writing frames the moment as either a revival that birthed modern dancehall or the ruin of organic reggae craft.
Stance: democratizing computer riddim vs. the death of the session-band sound
