ENTITY · PUBLICATION / MEDIA OUTLET
IRIE FM
Well supported
IRIE FM went to air from Ocho Rios on 13 August 1990 — a date now confirmed by the Jamaica Observer's own account, against secondary summaries that said 1 August — after test transmissions begun some two months earlier, and became the first Jamaican station to programme reggae around the clock. That was the whole point: RJR and JBC schedules were dominated by American rhythm and blues, and the island's own music was the exception rather than the format.
The station was founded by businessman Karl Young, whose Grove Broadcasting also ran ZIP 103 FM, with Dennis Howard, recruited from JBC, among the original broadcasters and its programmes manager. Within months artists, producers and music administrators had come round to it, and long-running programmes such as Mutabaruka's Cutting Edge turned its airtime into a running public archive of the culture.
The family that built it did not get to keep it long: Karl Young died in June 2010, and his son Chad Young, who took over Grove Broadcasting as chief executive, died in February 2014 at twenty-seven.
At a glance
- Confidence
- Well supported
- Sources
- Jamaica Observer, "The birth of Irie FM" and "Karl Young and the IRIE FM story"; Jamaica Gleaner, "Irie FM boss, Chad Young is dead" and "Irie FM says goodbye to young owner"; South Florida Caribbean News; station history.
Coverage areas
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Media & sources
Footage
IRIE FM — How Reggae Finally Became Mainstream
YOUTUBE · rights discovery only · video referenceYouTube video reference for IRIE FM/reggae radio context; verify channel and rights before public embed.
View transcript · 352 lines
Automatic captions — a machine draft pending editorial review.
- 0:00For the first time we could hear our
- 0:03For the first time we could hear our music, the music that connected with us
- 0:06music, the music that connected with us
- 0:06music, the music that connected with us on a spiritual deeper level. We could
- 0:09on a spiritual deeper level. We could
- 0:09on a spiritual deeper level. We could hear it all the time if we wanted to.
- 0:24Did you know that the land of reggae was
- 0:26Did you know that the land of reggae was busy suppressing reggae music at home up
- 0:28busy suppressing reggae music at home up
- 0:28busy suppressing reggae music at home up until 1990 while the rest of the world
- 0:31until 1990 while the rest of the world
- 0:31until 1990 while the rest of the world was enjoying it?
- 0:33was enjoying it?
- 0:33was enjoying it? Let me tell you about a man named Carl
- 0:34Let me tell you about a man named Carl
- 0:34Let me tell you about a man named Carl Young and the birth of a radio station
- 0:37Young and the birth of a radio station
- 0:37Young and the birth of a radio station named Irie FM.
- 0:40See, until 1973, the island had a daily
- 0:43See, until 1973, the island had a daily newspaper that was directly under the
- 0:46newspaper that was directly under the
- 0:46newspaper that was directly under the control of five members of the 21
- 0:48control of five members of the 21
- 0:48control of five members of the 21 families. We'll talk more about the 21
- 0:50families. We'll talk more about the 21
- 0:50families. We'll talk more about the 21 families later.
- 0:52families later.
- 0:52families later. Radio Jamaica was one of two radio
- 0:54Radio Jamaica was one of two radio
- 0:54Radio Jamaica was one of two radio stations on the island and it was
- 0:56stations on the island and it was
- 0:56stations on the island and it was entirely foreign owned. The other
- 0:58entirely foreign owned. The other
- 0:58entirely foreign owned. The other station, the Jamaica Broadcasting
- 0:59station, the Jamaica Broadcasting
- 0:59station, the Jamaica Broadcasting Corporation or JBC, was owned by the
- 1:02Corporation or JBC, was owned by the
- 1:02Corporation or JBC, was owned by the government, which at that time was
- 1:04government, which at that time was
- 1:04government, which at that time was technically then owned by the elite.
- 1:08technically then owned by the elite.
- 1:08technically then owned by the elite. And what I mean by that is the elite
- 1:09And what I mean by that is the elite
- 1:09And what I mean by that is the elite class was also the business class, which
- 1:11class was also the business class, which
- 1:11class was also the business class, which were responsible for major advertising
- 1:13were responsible for major advertising
- 1:13were responsible for major advertising on the the state-owned radio station.
- 1:15on the the state-owned radio station.
- 1:15on the the state-owned radio station. And so then the the advertisers that
- 1:18And so then the the advertisers that
- 1:18And so then the the advertisers that were responsible for the revenue was
- 1:20were responsible for the revenue was
- 1:20were responsible for the revenue was basically in charge of the station.
- 1:22basically in charge of the station.
- 1:22basically in charge of the station. Let me expound. As a Christian country,
- 1:25Let me expound. As a Christian country,
- 1:25Let me expound. As a Christian country, of course, both stations find it prudent
- 1:27of course, both stations find it prudent
- 1:27of course, both stations find it prudent to provide listeners with 17 and a
- 1:30to provide listeners with 17 and a
- 1:30to provide listeners with 17 and a quarter hours of weekly religious
- 1:31quarter hours of weekly religious
- 1:31quarter hours of weekly religious programming.
- 1:33programming.
- 1:33programming. 0.8% more time than it allotted to
- 1:360.8% more time than it allotted to
- 1:360.8% more time than it allotted to public affairs. 80% or 215 and a quarter
- 1:40public affairs. 80% or 215 and a quarter
- 1:40public affairs. 80% or 215 and a quarter hours of all airtime on AM radio is
- 1:43hours of all airtime on AM radio is
- 1:43hours of all airtime on AM radio is devoted to entertainment consisting of
- 1:45devoted to entertainment consisting of
- 1:45devoted to entertainment consisting of soap operas, quizzes, and North American
- 1:49soap operas, quizzes, and North American
- 1:49soap operas, quizzes, and North American style disc jockey programs.
- 1:52style disc jockey programs.
- 1:52style disc jockey programs. So you have to understand that reggae
- 1:54So you have to understand that reggae
- 1:54So you have to understand that reggae music at that time was largely protest
- 1:56music at that time was largely protest
- 1:56music at that time was largely protest music. A lot of the lyrics of this music
- 1:59music. A lot of the lyrics of this music
- 1:59music. A lot of the lyrics of this music was pro-Africa
- 2:01was pro-Africa
- 2:01was pro-Africa and was pushing the black majority to
- 2:05and was pushing the black majority to
- 2:05and was pushing the black majority to not only recognize
- 2:08not only recognize
- 2:08not only recognize their inherent strengths and to
- 2:10their inherent strengths and to
- 2:10their inherent strengths and to recognize that they are the majority,
- 2:12recognize that they are the majority,
- 2:12recognize that they are the majority, but also to reject these Eurocentric
- 2:15but also to reject these Eurocentric
- 2:15but also to reject these Eurocentric notions that the tiny white elite was
- 2:20notions that the tiny white elite was
- 2:20notions that the tiny white elite was pushing on the populace. It's also
- 2:22pushing on the populace. It's also
- 2:22pushing on the populace. It's also interesting to note that at that time
- 2:24interesting to note that at that time
- 2:24interesting to note that at that time Jamaica was a strong supporter of the
- 2:25Jamaica was a strong supporter of the
- 2:25Jamaica was a strong supporter of the anti-apartheid movement in South Africa.
- 2:28anti-apartheid movement in South Africa.
- 2:28anti-apartheid movement in South Africa. Meanwhile, at home, they were very much
- 2:31Meanwhile, at home, they were very much
- 2:31Meanwhile, at home, they were very much in the hands of the white elite and were
- 2:34in the hands of the white elite and were
- 2:34in the hands of the white elite and were not supporting any major black power
- 2:37not supporting any major black power
- 2:37not supporting any major black power movement at home.
- 2:39movement at home.
- 2:39movement at home. I quote, "Because the media owners and
- 2:41I quote, "Because the media owners and
- 2:41I quote, "Because the media owners and managers are a part of the very status
- 2:43managers are a part of the very status
- 2:43managers are a part of the very status quo that would be threatened by the
- 2:45quo that would be threatened by the
- 2:45quo that would be threatened by the redistribution of power within the
- 2:47redistribution of power within the
- 2:47redistribution of power within the society, any serious governmental
- 2:50society, any serious governmental
- 2:50society, any serious governmental initiative to achieve such
- 2:51initiative to achieve such
- 2:51initiative to achieve such redistribution will meet resistance from
- 2:54redistribution will meet resistance from
- 2:54redistribution will meet resistance from them." So, reggae music was relegated to
- 2:57them." So, reggae music was relegated to
- 2:57them." So, reggae music was relegated to a few songs in the afternoon hours and
- 3:01a few songs in the afternoon hours and
- 3:01a few songs in the afternoon hours and they always balanced it with like some
- 3:03they always balanced it with like some
- 3:03they always balanced it with like some North American songs. And that's why so
- 3:05North American songs. And that's why so
- 3:05North American songs. And that's why so many Jamaicans know soul and R&B songs
- 3:08many Jamaicans know soul and R&B songs
- 3:08many Jamaicans know soul and R&B songs word for word, because that's what
- 3:10word for word, because that's what
- 3:10word for word, because that's what That's all we had to listen to like 90%
- 3:13That's all we had to listen to like 90%
- 3:13That's all we had to listen to like 90% of the time. Reggae and dancehall music
- 3:15of the time. Reggae and dancehall music
- 3:15of the time. Reggae and dancehall music was mostly played in the late-night to
- 3:17was mostly played in the late-night to
- 3:17was mostly played in the late-night to early morning hours and sometimes on on
- 3:21early morning hours and sometimes on on
- 3:21early morning hours and sometimes on on a weekend, we could hear like a top 40
- 3:24a weekend, we could hear like a top 40
- 3:24a weekend, we could hear like a top 40 countdown or like a a top 100 countdown,
- 3:27countdown or like a a top 100 countdown,
- 3:28countdown or like a a top 100 countdown, but it was mainly
- 3:30but it was mainly
- 3:30but it was mainly North American and European music.
- 3:34North American and European music.
- 3:34North American and European music. So, the people were hungry for their
- 3:35So, the people were hungry for their
- 3:36So, the people were hungry for their music, the music that was the voice of
- 3:38music, the music that was the voice of
- 3:38music, the music that was the voice of the people, which was reggae music. Fast
- 3:40the people, which was reggae music. Fast
- 3:41the people, which was reggae music. Fast forward to August 1st, 1990,
- 3:44forward to August 1st, 1990,
- 3:44forward to August 1st, 1990, when Irie FM came on air with the
- 3:47when Irie FM came on air with the
- 3:47when Irie FM came on air with the slogan, "Reggae in the morning, reggae
- 3:50slogan, "Reggae in the morning, reggae
- 3:50slogan, "Reggae in the morning, reggae in the evening, and reggae at night.
- 3:53in the evening, and reggae at night.
- 3:53in the evening, and reggae at night. This is on the IRIE FM website. Critics
- 3:56This is on the IRIE FM website. Critics
- 3:56This is on the IRIE FM website. Critics said it was impossible to sustain a
- 3:58said it was impossible to sustain a
- 3:58said it was impossible to sustain a 24-hour reggae music station. In fact,
- 4:0124-hour reggae music station. In fact,
- 4:0124-hour reggae music station. In fact, so strong was the impact, it proved that
- 4:05so strong was the impact, it proved that
- 4:05so strong was the impact, it proved that this format was something the Jamaican
- 4:07this format was something the Jamaican
- 4:07this format was something the Jamaican public yearned for.
- 4:09public yearned for.
- 4:09public yearned for. The naysayers did not count on the
- 4:12The naysayers did not count on the
- 4:12The naysayers did not count on the strength of 40 years of rich, pulsating
- 4:15strength of 40 years of rich, pulsating
- 4:15strength of 40 years of rich, pulsating Jamaican music.
- 4:18Jamaican music.
- 4:18Jamaican music. IRIE FM had revolutionized the airwaves
- 4:21IRIE FM had revolutionized the airwaves
- 4:21IRIE FM had revolutionized the airwaves with its reggae format. Never before has
- 4:24with its reggae format. Never before has
- 4:24with its reggae format. Never before has Jamaica and her people been exposed to
- 4:26Jamaica and her people been exposed to
- 4:26Jamaica and her people been exposed to Jamaican culture and music in the way
- 4:28Jamaican culture and music in the way
- 4:28Jamaican culture and music in the way IRIE FM has done it.
- 4:30IRIE FM has done it.
- 4:30IRIE FM has done it. IRIE FM has developed a personal
- 4:32IRIE FM has developed a personal
- 4:32IRIE FM has developed a personal relationship with its listeners,
- 4:34relationship with its listeners,
- 4:34relationship with its listeners, unprecedented in Jamaican media as the
- 4:37unprecedented in Jamaican media as the
- 4:37unprecedented in Jamaican media as the acronym states, Innovative Radio
- 4:39acronym states, Innovative Radio
- 4:39acronym states, Innovative Radio Inspiring Everyone.
- 4:42Inspiring Everyone.
- 4:42Inspiring Everyone. In no time, IRIE FM carved out a special
- 4:46In no time, IRIE FM carved out a special
- 4:46In no time, IRIE FM carved out a special niche and endeared a large, loyal
- 4:49niche and endeared a large, loyal
- 4:49niche and endeared a large, loyal audience, becoming the people's number
- 4:52audience, becoming the people's number
- 4:52audience, becoming the people's number one radio station. You see, for the
- 4:54one radio station. You see, for the
- 4:54one radio station. You see, for the first time we were hearing ourselves.
- 4:56first time we were hearing ourselves.
- 4:57first time we were hearing ourselves. For the first time we could hear people
- 4:58For the first time we could hear people
- 4:58For the first time we could hear people speak patois freely on the radio,
- 5:02speak patois freely on the radio,
- 5:02speak patois freely on the radio, unhindered. For the first time we could
- 5:05unhindered. For the first time we could
- 5:05unhindered. For the first time we could hear our music, the music that connected
- 5:09hear our music, the music that connected
- 5:09hear our music, the music that connected with us on a spiritual, deeper level. We
- 5:12with us on a spiritual, deeper level. We
- 5:12with us on a spiritual, deeper level. We could hear it all the time if we wanted
- 5:14could hear it all the time if we wanted
- 5:14could hear it all the time if we wanted to. And suddenly, every person, every
- 5:18to. And suddenly, every person, every
- 5:18to. And suddenly, every person, every office, every taxi, every bus was
- 5:21office, every taxi, every bus was
- 5:21office, every taxi, every bus was playing IRIE FM.
- 5:23playing IRIE FM.
- 5:23playing IRIE FM. The DJs at IRIE FM were the first to
- 5:25The DJs at IRIE FM were the first to
- 5:25The DJs at IRIE FM were the first to give songs by Shabba Ranks, Papa San,
- 5:27give songs by Shabba Ranks, Papa San,
- 5:27give songs by Shabba Ranks, Papa San, Garnet Silk, Cutty Ranks, Tony Rebel,
- 5:29Garnet Silk, Cutty Ranks, Tony Rebel,
- 5:29Garnet Silk, Cutty Ranks, Tony Rebel, all those artists, to give them power
- 5:31all those artists, to give them power
- 5:31all those artists, to give them power play on the radio. Something that never
- 5:34play on the radio. Something that never
- 5:34play on the radio. Something that never happened before the birth of IRIE FM.
- 5:38happened before the birth of IRIE FM.
- 5:38happened before the birth of IRIE FM. And when it came to advertising, IRIE FM
- 5:41And when it came to advertising, IRIE FM
- 5:41And when it came to advertising, IRIE FM had a winning format. They used two
- 5:43had a winning format. They used two
- 5:43had a winning format. They used two people to do their voice overs in
- 5:46people to do their voice overs in
- 5:46people to do their voice overs in patois. You know, remember Pinky and
- 5:48patois. You know, remember Pinky and
- 5:48patois. You know, remember Pinky and Joobie? Yeah, completely won over the
- 5:50Joobie? Yeah, completely won over the
- 5:50Joobie? Yeah, completely won over the listenership. People were looking
- 5:52listenership. People were looking
- 5:52listenership. People were looking forward to the ads by Pinky and Joobie
- 5:55forward to the ads by Pinky and Joobie
- 5:55forward to the ads by Pinky and Joobie like they were some big um artists
- 5:58like they were some big um artists
- 5:58like they were some big um artists playing. Irie FM not only pioneered a
- 6:01playing. Irie FM not only pioneered a
- 6:01playing. Irie FM not only pioneered a 24-hour reggae format in Jamaica, but
- 6:0424-hour reggae format in Jamaica, but
- 6:0424-hour reggae format in Jamaica, but they also had programs on air that
- 6:08they also had programs on air that
- 6:08they also had programs on air that featured prominently featured African
- 6:11featured prominently featured African
- 6:11featured prominently featured African history. And also, they had um a
- 6:15history. And also, they had um a
- 6:15history. And also, they had um a segment, I think it was called Running
- 6:17segment, I think it was called Running
- 6:17segment, I think it was called Running Africa. They promoted not just African
- 6:20Africa. They promoted not just African
- 6:20Africa. They promoted not just African history, black empowerment, but also
- 6:24history, black empowerment, but also
- 6:24history, black empowerment, but also Rastafarianism.
- 6:26Rastafarianism.
- 6:26Rastafarianism. Remember now that there
- 6:29Remember now that there
- 6:29Remember now that there up until that time, we were and probably
- 6:32up until that time, we were and probably
- 6:32up until that time, we were and probably there still is uh some of it now wherein
- 6:35there still is uh some of it now wherein
- 6:35there still is uh some of it now wherein we we relegated Rastafarians to the back
- 6:38we we relegated Rastafarians to the back
- 6:38we we relegated Rastafarians to the back of the line. They were not a people who
- 6:41of the line. They were not a people who
- 6:41of the line. They were not a people who were to be celebrated and and and put at
- 6:44were to be celebrated and and and put at
- 6:44were to be celebrated and and and put at the front of the house. But, Irie FM put
- 6:47the front of the house. But, Irie FM put
- 6:47the front of the house. But, Irie FM put people like I-Lee Skelly on air, and
- 6:51people like I-Lee Skelly on air, and
- 6:51people like I-Lee Skelly on air, and she, a Rastafarian woman,
- 6:54she, a Rastafarian woman,
- 6:54she, a Rastafarian woman, really had um in her program a lot of
- 6:57really had um in her program a lot of
- 6:58really had um in her program a lot of knowledge and wisdom about black
- 7:00knowledge and wisdom about black
- 7:00knowledge and wisdom about black empowerment and Rastafarianism and
- 7:03empowerment and Rastafarianism and
- 7:03empowerment and Rastafarianism and African history. And so, nowadays, if
- 7:06African history. And so, nowadays, if
- 7:06African history. And so, nowadays, if you turn on the radio in Jamaica, you
- 7:08you turn on the radio in Jamaica, you
- 7:08you turn on the radio in Jamaica, you will hear a lot of reggae music. You
- 7:10will hear a lot of reggae music. You
- 7:10will hear a lot of reggae music. You will hear the other stations, the
- 7:12will hear the other stations, the
- 7:13will hear the other stations, the traditional stations that had existed
- 7:14traditional stations that had existed
- 7:15traditional stations that had existed pre-Irie FM, now you will hear them
- 7:18pre-Irie FM, now you will hear them
- 7:18pre-Irie FM, now you will hear them playing a lot of reggae music. But, this
- 7:22playing a lot of reggae music. But, this
- 7:22playing a lot of reggae music. But, this never used to be the case.
- 7:24never used to be the case.
- 7:24never used to be the case. Irie FM, when they saw that not only did
- 7:28Irie FM, when they saw that not only did
- 7:28Irie FM, when they saw that not only did the listeners
- 7:30the listeners
- 7:30the listeners move to Irie FM,
- 7:33move to Irie FM,
- 7:33move to Irie FM, I remember we're a black majority
- 7:34I remember we're a black majority
- 7:34I remember we're a black majority country.
- 7:36country.
- 7:36country. When the listeners moved to Irie FM, the
- 7:38When the listeners moved to Irie FM, the
- 7:38When the listeners moved to Irie FM, the whole musical landscape changed, the
- 7:40whole musical landscape changed, the
- 7:40whole musical landscape changed, the whole radio landscape changed. Karl
- 7:43whole radio landscape changed. Karl
- 7:43whole radio landscape changed. Karl Young also founded Zip 103 FM, which
- 7:46Young also founded Zip 103 FM, which
- 7:46Young also founded Zip 103 FM, which featured mainly reggae, dancehall, hip
- 7:49featured mainly reggae, dancehall, hip
- 7:49featured mainly reggae, dancehall, hip hop, rap, a lot of the music that
- 7:51hop, rap, a lot of the music that
- 7:51hop, rap, a lot of the music that resonates with black people.
- 7:53resonates with black people.
- 7:53resonates with black people. He died on June 10th, 2010, and was
- 7:56He died on June 10th, 2010, and was
- 7:56He died on June 10th, 2010, and was posthumously awarded a national honor
- 7:59posthumously awarded a national honor
- 7:59posthumously awarded a national honor for his contribution to Jamaica's
- 8:01for his contribution to Jamaica's
- 8:01for his contribution to Jamaica's culture.
Articles & sources
Karl Young and the IRIE FM story
WEB · rights discovery only · press sourceJamaica Observer, 26 June 2010. Reference only.
Source link ↗Jamaica's Reggae Radio Station IRIE FM Turns 30
WEB · rights discovery only · press sourceThirtieth-anniversary coverage, 2020. Reference only.
Source link ↗Irie FM boss, Chad Young is dead
WEB · rights discovery only · press sourceJamaica Gleaner, February 2014 — the death of the founder's son and successor. Reference only.
Source link ↗Jamaica Observer — The birth of IRIE FM
WEB · rights discovery only · source referenceClickable newspaper source for IRIE FM first all-reggae format context.
Source link ↗RadioJM — IRIE FM listing
WEB · rights discovery only · source referenceClickable listening/listing source for IRIE FM frequencies/context.
Source link ↗IRIE FM official site
WEB · rights discovery only · source referenceClickable source URL for broadcast/media verification; external reference only.
Source link ↗Remembering Karl Young, Founder of IRIE FM
WEB · rights discovery only · archive sourceIRIE FM official site memorial feature.
Source link ↗Video: Ron Muschette Heads to Mello FM After Resigning from IRIE
WEB · rights discovery only · press sourceJamaica Gleaner entertainment desk.
Source link ↗IRIE FM official history
WEB · rights discovery only · source referenceClickable official source for IRIE FM launch/all-reggae format context.
Source link ↗In the news
Recent coverage referencing this record, linked back to its original source.
In stories
For fifty years the surest way to hear Jamaican music was not to turn on a Jamaican radio. This is how that changed — and what it cost the people who changed it.
Story · Well supportedRadio made the record travelHow distant AM signals, cautious island gatekeepers and pirate transmitters carried Jamaican records from Kingston's dances to London and New York.
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