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The instrumental B-side that changed everything. After Ruddy Redwood's vocal-less acetate of "On the Beach" tore up a Spanish Town dance in 1967, producers put a "version" on the back of nearly every single: free to press, ready for a deejay to talk over, and the raw material dub was mixed from. The whole version economy — riddims, deejays, dub — stands on this practice.

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