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STORY · DANCEHALL

First ladies of the dancehall mic

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From Lady Ann's toasting through Sister Carol's feminist chat to Tifa and Lisa Hyper's 2000s run, women built a parallel lineage on the mic.

The mic line runs through the same sound systems and riddims as the men's -- it just rarely gets told that way.

Dancehall's mic history is often told as an all-male story, but a continuous line of women deejays -- some foundational, some still recording -- chatted their way onto the same sound systems and riddims as their male peers.

Foundation-era chatters

Sister Nancy's 'Bam Bam' and Lady Ann's combination cuts with Lady G are the best-known entries in a scene that also included Sister Carol, who left teaching to chat dancehall style at Brigadier Jerry's urging, and Junie Ranks, discovered by producer Winston Riley and later voted the island's top female deejay in 1989.

Britain's parallel dancehall and roots scene produced its own women chatters. Ranking Ann, Anne Swinton, released her first album, A Slice of English Toast, on Mad Professor's Ariwa label in 1982, six interpretations of Ariwa rhythms led by the explicitly feminist "Liberated Woman". Its title track answered Sister Audrey's "English Girl", also an Ariwa record of the same moment, and the two were cut together as a discomix: women chatting call-and-response to each other on a British label, in a scene usually narrated through men. "English Girl" and its repeated re-releases later became entangled in the 2018 Windrush story.

Street-era inheritors

By the 2000s, Lady Saw's example had opened space for a further generation: Tifa, who grew up around Lady Saw through her stepfather's label; Lisa Hyper, whose Vybz Kartel duet 'Whine for Me' broke her into rotation; Pamputtae, whose 'Single Mothers' became an anthem; and D'Angel, dubbed dancehall's 'First Lady' by the Jamaica Gleaner. In Britain, Warrior Queen carried the same chatting tradition into the dubstep crossover.

Taken together, the line runs unbroken from 1970s sound-system corners to 2020s streaming playlists -- proof that dancehall's mic has never actually been a men-only instrument, whatever the highlight reels suggest.

example · person · Well supportedPamputtae

Pamputtae (born Eveana Henry in Kingston) broke through in dancehall in the mid-2000s and scored her defining hit with 2009's 'Single Mothers'; in 2018 she founded the Pamputtae Single Mother Foundation and has continued performing internationally while speaking out against body-shaming and colourism pressures in the dancehall scene.

profile · person · Well supportedJunie Ranks

Junie Ranks (born June Evans), from Old Harbour, St Catherine, was discovered by producer Winston Riley and recorded 'Counteraction' on the Stalag riddim before hits including 'Big and Ready' and a Canadian number one, 'Sea of Love'; she worked across the 1980s-90s dancehall production landscape with King Jammys, Steely & Clevie, Bunny Lee and King Tubby's, winning the 1989 Father Bins award for Female DJ of the Year.

argument · person · Well supportedLady Saw

Marion Marie Hall, born at Galina in Saint Mary on 12 July 1969, was performing on local sound systems at fifteen and took her name in 1987 from Tenor Saw, whose singing she had grown up on. Working the Stereo One system in Kingston, she made her way into a dancehall in which slackness was a male franchise, and matched it — explicit, unapologetic, and funny — which got several of her performances banned in parts of Jamaica while equally lewd men were left alone. That double standard is most of what her career is about. "Smile", cut with Vitamin C in 1999, went gold; "Underneath It All" with No Doubt in 2002 went triple platinum; the Grammy it won went to No Doubt, on whose record she was the featured vocalist. On 15 December 2015 she was baptised, left dancehall, and has recorded gospel since as Minister Marion Hall.

example · person · Well supportedWarrior Queen

Warrior Queen (born Annette Henry in Kingston) is a dancehall and dub vocalist who relocated to Britain and became a key voice in the 2000s dubstep/dancehall crossover, recording with producers including Mungo's Hi Fi, Vex'd and The Bug.

example · person · Well supportedLisa Hyper

Lisa Hyper (born Felecia Gooden) came up through Portmore Empire and a childhood connection to Vybz Kartel before her duet 'Whine for Me' brought heavy dancehall rotation; she has since worked with Beenie Man, Lady Saw and Gyptian across hits including 'Sculpture' and 'Champion Bubbler'.

profile · person · Well supportedSister Carol

Carol Theresa East, born 1959 in Denham Town, Kingston, who emigrated to Brooklyn at fourteen and was mentored into deejaying by Brigadier Jerry; her 1984 album Black Cinderella, which gave her a lasting nickname, helped her win Best Female DJ five years running (1983-87), and her father had worked as a Radio Jamaica engineer on Studio One sessions.

profile · person · Well supportedSister Audrey

Sister Audrey, born in Britain to Jamaican parents and raised around her uncle's sound system, made her debut in 1982 with the Mad Professor-produced roots single 'English Girl' for Ariwa in collaboration with Jah Shaka's label; the song's re-releases became part of the public narrative around the 2018 Windrush generation scandal, and she later toured supporting Lee 'Scratch' Perry, Bob Andy, U-Roy and Macka B.

example · person · Well supportedSasha

Sasha (born Christine Chin in Kingston, raised in Queens) began touring dancehall stages as a teenager and wrote 1998's sleeper hit 'Dat Sexy Body' on the Bookshelf riddim; her biggest hit, 2003's 'I'm Still in Love With You' with Sean Paul, revived the classic 'I'm Still in Love' riddim lineage before she turned to gospel music as Sista Sasha after 2008.

profile · person · ProbableRanking Ann

Ranking Ann is a British reggae deejay who came to prominence on her brother's Black Rock sound system in and around London, debuting with the uncompromising 'Liberated Woman' before releasing 'Love On A Mountain Top' in 1982 and later returning to a more overtly political style on 'Dangerous MC'.

example · person · Well supportedD'Angel

D'Angel (born Michelle Downer in Spanish Town), dubbed dancehall's 'First Lady' by the Jamaica Gleaner, broke through in the early 2000s with 'Down a Mi Yard' and was named Singjay of 2008 at the EME Awards; she recorded the duet 'One Man' with singer Beenie Man in 2006.

example · person · Well supportedTifa

Tifa (born Latifa Brown), known as 'Dancehall's Princess', grew up around Lady Saw through her stepfather's Diamond Rush Records before breaking through with 'Crawny Gal' on Ward 21's Dem Gal Sitt'n riddim and the radio hit 'Bottom of the Barrel'.

argument · person · ProbableLady G

Lady G is a Jamaican dancehall deejay and singer active from the 1980s onward, part of the small but consistent line of women deejays who built careers alongside dancehall's male-dominated mainstream.

Sources & citations

The evidence behind this story. Consequential claims trace to sources; disputing sources are labelled rather than hidden.

  1. article · Foundation-era chattersA Slice of English Toast

    Stand Up and Spit

    Source for Ranking Ann as Anne Swinton, the 1982 Ariwa album and its answer relationship to Sister Audrey's "English Girl".

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