Mento's bawdy songs: rustic candour or colonial indecency?
One side
Rural working-class humour and candour
The other
Middle-class colonial indecency
What was argued
Two documented positions on mento's sexual double-entendre, stated neutrally: defenders heard rural working-class humour and honest candour in the word-play, while respectable and colonial opinion condemned it as 'smutty' and low. Neutral framing; no verdict.
The records this concerns
Sources
Jamaica Gleaner archive; Carolyn Cooper, Noises in the Blood