NOW VIEWINGReception
Debate & reception

DebateContested

Mento's bawdy songs: rustic candour or colonial indecency?

One side

Rural working-class humour and candour

The other

Middle-class colonial indecency

What was argued

Two documented positions on mento's sexual double-entendre, stated neutrally: defenders heard rural working-class humour and honest candour in the word-play, while respectable and colonial opinion condemned it as 'smutty' and low. Neutral framing; no verdict.

The records this concerns

Sources

Jamaica Gleaner archive; Carolyn Cooper, Noises in the Blood