THE INTERVIEW CIRCUIT
Artist & sound interviews
The mics turned around: TV institutions, radio voices, podcasts and journalists who sit dancehall's artists and sound men down to talk, keeping the music's own record.
29 records · curated by the atlas editors
A sampling, not a complete record — the archive runs deeper than any list of it. Tell us what is missing.
Television Jamaica's long-running weekly entertainment programme, and for years the main broadcast record of the local music scene — interviews, stage-show coverage and the news of the business. Its archive is a significant, and largely uncatalogued, documentary source for the dancehall era.
person · Well supportedAnthony MillerThe presenter of Entertainment Report on TVJ, the programme that has covered Jamaican music on national television since 1990. His interviews and the show's archive amount to one of the most complete visual records of dancehall's last three decades.
publication · Well supportedOnStage TVJamaican entertainment interview television/digital platform associated with long-form reggae and dancehall interviews.
person · Well supportedWinford WilliamsThe host of OnStage, the long-running TVJ entertainment interview programme, and one of the most consistent interviewers the dancehall has. A generation of career announcements, clash post-mortems and first responses to controversy happened in his chair, which makes the OnStage archive a primary source.
publication · ProbableTVJ IntenseTelevision Jamaica's youth and entertainment interview strand, a broadcast platform for dancehall and culture conversation. The title is verified as a TVJ property; launch year and current host roster await a primary TVJ source before this record states them.
publication · Well supportedIRIE FMIRIE FM went to air from Ocho Rios on 13 August 1990 — a date now confirmed by the Jamaica Observer's own account, against secondary summaries that said 1 August — after test transmissions begun some two months earlier, and became the first Jamaican station to programme reggae around the clock. That was the whole point: RJR and JBC schedules were dominated by American rhythm and blues, and the island's own music was the exception rather than the format. The station was founded by businessman Karl Young, whose Grove Broadcasting also ran ZIP 103 FM, with Dennis Howard, recruited from JBC, among the original broadcasters and its programmes manager. Within months artists, producers and music administrators had come round to it, and long-running programmes such as Mutabaruka's Cutting Edge turned its airtime into a running public archive of the culture. The family that built it did not get to keep it long: Karl Young died in June 2010, and his son Chad Young, who took over Grove Broadcasting as chief executive, died in February 2014 at twenty-seven.
person · Well supportedElise KellyOne of Jamaican radio's most familiar voices, an IRIE FM anchor for decades whose easy-going daytime programme made her a national institution. Her longevity on an all-reggae station gives her a rare vantage: she has played each era of the music to the audience that lived it.
person · Well supportedMutabaruka as radio hostThe dub poet as broadcaster: Mutabaruka's Cutting Edge on Irie FM, running since the early 1990s, made late-night radio a seminar on music, Rastafari, history and politics, argued in Jamaican speech. For many listeners it is the most sustained public-affairs voice the culture has had.
person · Well supportedNikki ZNikki Z (Nicole Duhaney) is a Connecticut-born broadcaster from a Jamaican family who became the first woman to host a Caribbean show on a commercial urban station in Connecticut (Jamz 910), then relocated to Jamaica and built 'Nikki Z Live' into a globally syndicated dancehall radio programme (The Bridge 99 FM, with US syndication) — a two-decade veteran whose interviews are a fixture of the artist press run.
business · Well supportedIrish and ChinIrish and Chin is the New York-based sound-system promotion company led by Garfield 'Chin' Bourne with his partner Irish, best known for creating World Clash in New York in 1998 — the 'Super Bowl of sound clash', whose first title went to Sound Trooper's Ricky Trooper — alongside the U.S. Rumble series. Over two decades it staged clashes across North America, the Caribbean, Europe and Asia, helped carry Japan's Mighty Crown to international fame, and retired the World Clash brand with a 2022 finale in England.